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I collect Mormon-made media
In 1953, the church hired Disney animator Judge Whitaker to head the BYU Motion Picture Studio. The resulting film-forward culture propelled the church’s correlation crackdown on gender roles and lines of authority—each film a tiny vehicle for mind control.
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And stitch clips together
Sweet stories of positivity and family values hide the sting of what’s actually being said. Remove the plot and you’ll hear it more clearly. Every script was crafted to persuade, using melodrama to elicit emotion they could then sell to you as an answer.
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To examine oppressive systems
Stripped to their parts and held next to each other, these films reveal patterns. And if you add some amateur critical theory to the study of them, the larger picture of Mormonism’s cultural impact shifts into focus, revealing harmful “American values” inside neat little VHS packages.
Why?
Because Mormonism is not unique in its harm. It is rooted in settler-colonialism and depends on systematically conditioning its members to internalize and uphold larger systems:
Capitalism
Racism
White supremacy
Nationalism
Individualism
Imperialism
Sexism and misogyny
Classism
Homophobia
Transphobia
Ableism
Binary thinking
Scarcity mindset
Punishment culture
Purity culture
Perfectionism
The mission
In studying the deluge of Mormon-produced media from 1960ish onward, I’ve realized these videos offer a scaffolding of sorts for deprogramming.
I hope that as you review these videos you once saw in primary/Sunday school/seminary/institute, you’ll find validation and support for healing on two planes.
Personal healing
Understand the power dynamics you experienced
Unpack fear-based programming still inside your body
Locate and reclaim the parts of self lost from a high-control religion
2. Collective healing
Explore the connections between Mormonism and American culture at large
Identify how these systems have played out historically, and who they’ve harmed
Find personally meaningful ways to act and facilitate mutual liberation for all
Follow the project
For now the library lives on Instagram. The 60-second limit creates an interesting challenge, at least, and hopefully the familiar platform makes it easy to engage with.
However, I am working on a sortable video gallery that lives here, because Instagram puts money in billionaire’s pockets, and it behooves us all to move away from communicative capitalism.